"Two Steps From Heaven" Review

*MAJOR SPOILERS AHEAD!

Anniversary series "Two Steps in Heaven" tries to have a little of everything, from drama through fights for power and office politics, to romance, to sitcom-like comedy, to some outrageous plot twists. The result is that there should be something you'll enjoy, however small, but the series is disjointed and lacks a cohesive plot or direction.

Bosco Wong leads out the cast of this effort to be everything as what has got to be the most unlikable main protagonist in years. "Sheldon" is ambitious and manipulative, to a point where he is willing to betray his friends and leave his family to the dust, even though he already has a pretty darn good job (especially after Priscilla/Edwin become the boss of Rainmakers).

Flashbacks show that he used to be a paparazzi reporter who was seriously beat up and subsequently went into PR, but dead set on more. Despite the flashbacks, viewers are left still unsure of how Sheldon became the way he did. It also still remains unclear why he carried on an affair with "Emma" for over two years. What should have been a complex character was missing layers. In fact, a few scenes seemed to hint he was suffering from PTSD or some kind of mental disorder (such as when he severely assaults a drunk man who threw up on him, and throws away the birthday cake his daughter gives him), but in typical TVB fashion, this potential storyline is thrown under the bus to just make Sheldon despicable and unreasonably ruthless.

With that said, Bosco gives one of the best performances of his career, bringing out all the not so flattering and glamorous traits of Sheldon. Of course, this is just as he announces he is officially leaving TVB.

If there is something the writers really deserve props for though, is killing off Sheldon, and in one of the most cruel and slow ways I have seen for a protagonist. It was incredibly bold, unexpected, and satisfying, but his death-bed redemption was a total cop out. It's as if the writers realized at the last minute they had made Sheldon too bad and unsympathetic, so they tried to claim he actually did love his wife and daughter all along, but it certainly did not fool anyone. I guess every smart writing move has to be balanced out with a bad one.

Similar to "Sheldon," Priscilla Wong's "Sing Seung" leaves the audience still unsure abo
ut how she became so scheming and aggressive. The backstory with her ex-boyfriend does little to explain this, and instead acts as an annoying plot point brought up every once in a while. At a length of 35 episodes, you would think the writers would have actually utilized the length to properly show character development.

Priscilla actually performs relatively well in her most mature role to date and first villain role. I did not originally see her in this kind of role at all. While she is too calm in her portrayal at times, it does reaffirm my belief that she is not as bad of an actress as a lot of people claim she is. At times she left me scared or uncomfortable, which I never thought I'd say about the fun and happy-go-lucky Priscilla. Comedy remains her strength, but I liked seeing her in a more "adult" role for a change.

Meanwhile, Edwin Siu proves that just being one of the main characters in an anniversary drama does not mean you need to be interesting or have any story of your own. He's an all-around too good and nice guy who marries Priscilla and realizes she is not the person he knew her as. He also wears a lot of turtle necks. That's about it. Surely Edwin has been bored at work lately?

Louis Cheung rounds out our trio of male leads as a balance of Bosco and Edwin's character's overly bad and overly good qualities. The sometimes foul-mouthed and sassy "Tim Siu," who is actually a really great guy who would do anything for his friends, is a type of character that Louis has perfected, and gave audiences at least one character to root for. Louis has always excelled at bringing out subtleties and layers in his characters, even if he does not have much to work with, just by nature of his acting. He really showed how "Tim," despite the humor of his character that could suggest otherwise, was such a caring  and genuinely good person. The actor has truly been a gift for TVB.

A news article released shortly before the series started airing suggested that there would be breakthroughs to look for in our three leading men. Perhaps the real breakthrough though was Luk Wing, as "Ted." The introduction of his typical spoiled rich boy character makes it seem like he'll be one of the most annoying characters you will have ever laid eyes on. Yet, as the focus starts to shift to him, and he discovers his passions and how to apply himself, he becomes the heart of the series. As a result, it is heartbreaking when Ted is driven to death, and a void is left for the remainder of the series.

Luk Wing is hilarious and lovable as Ted, stealing the screen in all his scenes without goi
ng too over the top. Instead, he's just entertaining and gives the audience something to laugh about while Bosco and Priscilla are running around doing...whatever it is they were doing, to his complete oblivion. He also proves he can do drama as well, showing Ted's increased frustration and hopelessness before he finally decides to plummet to his death. His top 3 nomination for best supporting actor is well-deserved and I hope TVB will continue to give him meaty roles such as this.

As mentioned earlier, "Two Steps" tries to be a little of everything, and this meant at times it felt like a sitcom, especially in the scenes Louis and Luk Wing shared together. Perhaps one of the writers should have pitched a sitcom with these two instead, because some of the series' best moments is when they are just bickering or horsing around with each other. Gloria Tang's "Maple" throws in some fun to their dynamic as well, but her acting is unnatural and at times awkward. It also annoyed me that despite being his best friend, she seemed to have no reaction to Ted's death and gotten over it in five seconds.

Also worth mentioning is Kandy Wong as "Da Jie," who becomes an unlikely couple with Ted. It was enjoyable seeing her in a mature role despite her babyface and height, and also proves perhaps TVB shouldn't always put their youthful and petite actresses into a box where they're always playing the little sister.

Bosco, Louis, Luk Wing, and Kandy may have turned in some solid performances, but apparently TVB thinks otherwise, as the only person who received recognition for their performance is Katy Kung. Also a victim of the little sister typecast, Katy gets to play a wife and mother here, and a good chunk of performance is adequate and sympathetic. However, her crying scenes are incredibly cringeworthy and show she was trying way too hard. While I'm glad Katy is finally getting some acknowledgement for her work over the years, it's unfortunate that it had to be for a performance where she was actually a weaker link.

No character is weaker than Moon Lau's "Emma" though, who went from the mistress who didn't want to give up, to disappearing, to returning as someone who was just plain crazy. Moon's popularity spiked this year after an endearing performance in "A Fist Within Four Walls," but "Emma" exposes just how many weaknesses she still has an actress. Her emotional scenes are unnatural, and the character itself is hard to have any sympathy for. She should have stayed gone after Sheldon dumped her, but I guess someone had to kill Sing Seung? While that move was also unexpected, it just felt like overboard and one last ditch attempt to shock the audience. I'm just really glad the writers did not have her end up with Louis.

As mentioned earlier, the series tries to be a little of everything, then makes poor attempts to string it all together. While I greatly enjoyed Louis and Luk Wing's comedic scenes, it was always bizarre to remember that this was part of the same series where Bosco beats the lights out of a drunk man, Luk Wing eventually jumps off a building, Priscilla slowly poisons Bosco to death, and Moon stabs Priscilla multiple times with a huge knife out in the middle of the street. To reach the 35-episode length, they also gave random moments to supporting characters, such as Snow Suen's mummy-fetus and Claire Yiu finding out William Chan is a fan of hers from her modeling days. Instead, they could have used this time to better explain how Bosco and Priscilla became the way they did, and oh, I don't know, give poor Edwin a personality.

Overall

Some may disagree with me, but I still found "Two Steps From Heaven" to be quite entertaining at times, if only in a soapy, mindless way. With better execution, it had the potential to be a very compelling series balanced out with elements of comedy. Instead, when looked at objectively, we're left with a bunch of strings that weren't tied together. However, for fans of Bosco (if you're fine with spending 35 episodes hating his guts that is), Louis, and Luk Wing, the series was not a complete waste of time and has its moments.

Rating: 3 stars

"Momentary Lapse of Reason" Review

I had a lot of reasons to just completely skip "Momentary Lapse of Reason." Premodern dramas are my least favorite to watch since they tend to be tragic in nature. Despite being a big fan of Louis and happy he received his first leading role, I also wasn't interested in seeing Tavia. However, with the quiet but strong critical acclaim, I finally decided to give in because I wanted to check out Louis, Mat, and Rosina's performances for myself.

I'm glad I finally gave this series a chance, and didn't just give up after the first two episodes. It took maybe 5 episodes, but once I got into it, I was hooked and binge watched it over the course of my 3 day weekend. Against all my (non-existent) expectations when first hearing about this series, "Momentary Lapse of Reason" has become my favorite series of 2015.

Although all four leads deliver, the main reason I enjoyed "Momentary" so much is because of Louis Cheung and Mat Yeung's performances. The changes of their characters as well as their friendship drive the series forward and are what make it compelling.

There is not much romantic chemistry present in this series, which may make it sound like a failure, but romance was ultimately not integral to the series despite what some people may have thought initially. Mat and Tavia Yeung are by no means wooden and awkward with each other, but didn't create any sparks either. Same goes for Louis and Tavia, but this is because Louis' love for Tavia remains one-sided for the entire series.

Instead, all the "sparks" happen between the incredibly close brotherhood that develops between Louis and Mat - and I have no complaints about it. It was very rewarding to watch these two characters go from being foes who were completely different cops with contrasting morals, to two people who cared so much about each other and made such a huge impact on the other's life (which is why part of the ending was such BS - but more on that in a bit).

There was a split second where I was not sure if Louis was ready to be a leading actor, although it was only because he (deservingly) had bounced up so quickly. I'm now slapping myself for ever thinking that, because Louis absolutely shines in his first leading role. He and Ruco are one of few TVB actors who excel in these gray characters. In the early episodes, he does well as the clever, "Corrupt Wah" who has no problem taking credit for other people's work and being mean-spirited. Some of his best acting though is when his character slowly starts becoming more conscientious. From feeling guilty over indirectly causing the death of an innocent man to showing compassion over his widow, and standing up for Mat when no one else would, Louis' portrays the character's change in nature after befriending Mat very well. With another actor, the transition probably would've felt sudden, but Louis' expressiveness allowed you to see "Kam Wah" rethinking himself. Although the character becomes easier to play once he is no longer corrupt, Louis does wonderfully in his emotional scenes, particularly when he found Ng Chin's lifeless body.

Kam Wah is also a character who, even when he was a corrupt cop, is very humorous and playful. This made him a lot of fun to watch and prevented "Momentary" from becoming too tragic or "heavy" to watch like most other premodern series. Some of his funniest moments are when Mat catches him doing good deeds and expressing sympathy early on, only for Louis to deny it profusely and claim he is just a creep. It was also hilarious when Louis decided to go into the walled village (where there is no police jurisdiction) to help save Mat, but not without getting himself drunk to work up the guts first. I am happy to see that Louis was able to get into the top 5 nominations for Best Actor despite this series not being a big ratings hit.

Mat had a tough task of leading alongside Louis and is not nearly as expressive as him, but certainly rose up to the challenge in his first shot at second male lead. He was able to portray the character of "Sam Yat Yin" as the righteous and serious cop he is without being wooden, and tender in his scenes with Tavia's Leung Sum. He shows the internal emotional struggle of wanting to be a good cop in a precinct full of greedy and corrupt ones who actively dislike him and what he stands for very well. His most memorable and absolutely heartbreaking scene is when he forces himself to collect the bribes from the market sellers against all his morals and beliefs. 

With the path the character was taking in the early episodes and TVB's usual predictability, I had expected Yat Yin to become a full-on villain. Although he does make a terrible jerk move towards the end in a desperate attempt to move up so he can continue to fight police corruption, Yat Yin never becomes evil or even mean-spirited and simply becomes more dire in the lengths he'll take to fulfill his goal. Until the very end, he still remains a hero. This was a direction I appreciated because it made the character much more realistic as well as allow the plot to move along logically, instead of hurriedly turning him into a caricature, a la Ruco's "Ah Lik" in "Eye in the Sky." As far as secondary leading characters go, Yat Yin was absolutely integral to the story (just as much as Kam Wah) and in moving the series along. Mat got a great opportunity, and he took advantage of it. 

While this is both of their first time as leads, Louis and Mat were my favorite leads to watch all year, and I hope to continue seeing them in major roles.

Tavia once again receives the least interesting role of an entire main cast, but unlike in the
previously mentioned "Eye in the Sky," is not irritating to watch. In the end, I don't have any praises to sing, but I also don't have any nit picks with her performance. Leung Sum is likable instead of a suffocating goody two shoes. While she thinks lowly of Kam Wah initially, she does soon come to the realization he is not what she judged him to be after she gets to know him. The character cries from time to time, but it's also not an endless waterfall like some of Tavia's past dramatic series. The most heartbreaking moment for the character is in the very last episode when she sees someone who she believes is Yat Yin, but is really Willie Wai in Yat Yin's clothes. 

Although playing a character who goes through many major events that can be considered either unfortunate at best or highly traumatic at worst, Rosina gives a very natural performance as "Fa Ying Yuet." There are no huge dramatic acting moments, and that ended up being what I liked. It's so easy to start equating dramatic yelling and crying with good acting. Rosina had many opportunities to overact and it would have even been understandable for the character to be portrayed as over the top. Yet, she never does, but still shows the emotions of the character. Ying Yuet ended up not having as much screen time as I thought she would, but she was a character that could have easily become grating to watch where the actress could take every opportunity to try to steal the scene. Instead, Rosina injects just enough emotion and makes her a sympathetic and intriguing character without trying to steal anyone's thunder, allowing the focus to remain on Kam Wah and Yat Yin's brotherhood. 

With such solid performances playing such intriguing roles, it is very disappointing that Mat and Rosina did not win Most Improved. Based on acting merit alone, they definitely had it in the bag, but much like Vincent before his villain role in "Will Power" came along, simply did not have the buzz (or favoritism) Grace and Tony possessed. (On the bright side, Mat did win Most Improved Actor in Malaysia, while Rosina took home Best Supporting Actress in Singapore, although she was nominated for "Young Charioteers" instead.)

I enjoyed the friendship between the core four characters and the few scenes they all shared, and only wished that there had just been a few more. Unlike in recent series that try to portray friendship (ahem, "Raising the Bar"), you could feel the bond between the four despite them not sharing many scenes altogether.

In addition to our leading actors, the rest of the cast performs well too. Also providing some comic relief were Brian Burrell, who appears to be playing an important role for the first time, and Amy Fan. The two were very sweet to watch as a married couple. Hugo Wong was convincing as the corrupt and cruel police inspector. Lai Kong does well as always, but him as the villain is getting increasingly predictable.

Ending Commentary (Spoilers ahead!!)

A very satisfying ending overall, with just one major complaint. On his death bed, Yat Yin tells Leung Sum that she is the reason Kam Wah changed to be a better person, not him. While the writers do not try to drill into our heads the importance of Leung Sum on Yat Yin and Kam Wah too much, doing so at all was a disservice to how important the two guy's friendship truly was. This was inconsistent just timeline-wise, as Kam Wah had already become more conscientiousness before even developing a crush on Leung Sum. Yat Yin's death was terribly sad, but fitting, though I also wish he and Kam Wah were able to share more of a "final" scene together. 

Lai Kong, Akina Hong, and Joe Tay's endings were incredibly satisfying and poetic. Akina and Joe trying to outsmart each other by poisoning the other to receive all the money for themselves, only to both die at the hands of the opposite, was brilliant and a bold writing move.  

Finally, I have mixed feelings towards Kam Wah feigning memory loss. He had already lost Yat Yin, and by pretending to not remember, he was isolating himself from his two remaining best friends. However, I am glad the writers chose not to have him and Leung Sum end up together, as the latter never expressed romantic feelings for him and it would have been too sudden and convenient for her to do so so shortly after Yat Yin's death. Kam Wah continuing to watch over Leung Sum from afar may not be the happiest ending, but it was the most fitting one. A bittersweet ending was the most appropriate for "Momentary," but the characters also ended up all pretty content.

Overall

As stated before, Louis and Mat are the heart of the series and it is ultimately about how Kam Wah and Yat Yin come to impact each other as they try to rid Tong Sai of its rampant corruption. The series makes full use of its 20 episodes, and the writing feels very tight, with none of the inconsistencies or wackiness present in many series' writing today (I enjoyed you "Captain of Destiny," but I'm looking at you). Despite being a premodern series, "Momentary Lapse" also manages to succeed more as an action series than recent typical police procedurals. Its elements of drama, action, and suspense along with its fast paced writing and strong leading performances makes you want to keep watching once you get past the set up of the first handful of episodes. "Momentary Lapse" is the most underrated series of the year, and one of the best.

Rating: 4.5 stars

"Raising the Bar" Review

I knew going in "Raising the Bar" would not be case-driven, which allowed me to enjoy it a lot more. However, as a heavily character-driven series, there was very little character growth despite the great potential for it.

First, let's look at the titular "four girls"…

After having experienced sexual harassment by her former mentor, Giselle Tong gave up the year of training she already completed to pursue her ultimate dream of being a barrister. Of all the girls, the real female lead Grace Chan had most potential for a dynamic storyline. I had looked forward to see the intelligent, sweet, ever hardworking, but somewhat reserved Giselle mature and become a great lawyer throughout the series. However, after the first few episodes which heavily focus on Marcus (played by Ben Wong) teaching new pupils Giselle and Quinton (played by Louis Cheung), this storyline is thrown into the background and largely implied. By the end, we don't necessarily feel like she hasn't grown as a person or lawyer, but that we had just missed out on seeing it, and that is a shame.

As an actress, I did not find Grace to be bad in her debut performance in "Overachievers. Yet, she and the character left a sour taste in my mouth and I dreaded seeing her here, especially as she was paired up with one of my favorite actors. Thankfully though, I liked her much more here and only had one major problem with her performance. Giselle did not learn English until she was in 8th grade, yet her English is perfect. I have a lot of trouble believing she could learn at such a stage without even a hint of an accent.

Coming in second in terms of screen time is Brittany Fok, played by Jeannie Chan, who surprisingly went from my most disliked character to one of my favorites. This is mainly because in the episodes that focus on her, Brittany is really the only one who goes through any substantial character development. This is rather ironic as she is the only girl already practicing at the start of the series. Starting off as a spoiled rich girl who treated her friends like dirt (especially Yiu Chui-Fa), midway through the series she matures to become a much sweeter and considerate person while still being assertive and confident. It is quick, but still happens reasonably. I absolutely hated watching Brittany in the early episodes, but enjoyed seeing her become humbled at work, and having that spread to her personal life as well.

Jeannie comes off heavily pretentious in her performance early on (then again, it is in-character) but becomes likable and more natural in the second half. I also loved the character's fun but still professional wardrobe the times her outfits weren't dominated by huge bows.

Newcomer Moon Lau is the most pitiful - and by pitiful, I mean I feel bad that Moon got a character that has no personality for her debut performance. Holly Tsang is nice, is said to be diligent at work, and seems to be a pretty good friend. However, there's really not much else to her. She is bland and boring, and though Moon was decent for a newcomer and neither wooden or exaggerative, there isn't much anyone could do to save the dull character.

The wedding storyline with her and Jayden is the most jarring of the series.  Holly already knew Jayden was cheating. Even more confusing was Jayden's perspective. He did not get Holly pregnant, is a self-proclaimed player, and was not a rich son being pressured to get married by his parents. Why marry her then? What gives guys? I am however vey relieved the writers did not put her into the love triangle with Grace and Louis, instead opting for her to be the friend who observes the obvious attraction the two had for each other and trying to push them together.

The most underused female character is Stephanie Ho's Yiu Chui-Fa, who is mostly around for comic relief. Following her and Lincoln (King Lam) becoming a couple, her screen time becomes virtually nonexistent (Apparently in this series, once you had a storyline that focused heavily on you, you got banished to the sidelines). While Ah Fa may have been irritating played by another actress, Stephanie is absolutely adorable and hilarious, shining in her few scenes. I loved any scenes or interactions that featured her with her mentor Duncan (Timothy Cheng) and love interest Lincoln. Unfortunately, she has absolutely zero development, especially as a lawyer. She's just the funny and cute short girl that fades into the background the second half. My favorite part about the series though is her ridiculously catchy and fun theme song, which is reminiscent of those for older warm and lighthearted TVB series from the 2000s.

Now the titular "Three Bars"...

The three bars refer to the three law firms, headed by mentors Ben, Elaine Yiu and Ram Chiang, and Timothy. All have minimal screen time, and unfortunately the one with the most is also the most irritating and unnecessary to watch.

Ben surprisingly has a few very comical moments in the series, but for the most part has little to do. I did like the balance between him being shown to be very professional and intelligent at work, yet still rather laid back with friends and at home.

Portraying the funny and charming Duncan Yam, Timothy's character and performance was a nice change of pace for an actor who is usually stuck in evil roles. He had great comedic timing in the few scenes that allowed him to show it. On his own, he is great. Yet his and Natalie Tong's storyline is left mostly vague only to be suddenly put together in the end. Natalie is given too "cool" and mature of a character here, and the result is that the usually youthful and natural actress comes off as pretentious and cold instead of professional and reserved due to her tough childhood.

No complaints on Ram's character and performance as the kind and lighthearted solicitor Woody Lam here, other than he does not get enough screen time. But then there's his firm partner Elaine Yiu…

Elaine wins the award for least likable lead. On paper, the character is already hard to warm up to, always giving everyone including her own husband the stink eye, except bookstore owner Don. Vivian is unsympathetic, cold, and treats an otherwise great and understanding husband unfairly. Their affair was incredibly unnecessary and a waste of time that could have been allocated to the development of the four girls instead. Performance-wise, she perpetually gives everyone the resting bitch face and like Natalie, seems to think acting professional means acting cold and pretentious.

And finally, the two guys…

It would have been amusing if the Chinese title was translated to "Four Girls, Three Bars, and Two Boys." It is not, which does not seem fair to Louis and King's characters, but I digress.

Aside from Giselle, Louis' "Quinton Chow" also had the most potential for great character growth. He is implied to be around 30 years old and having already worked in the construction and engineering field for several years. Despite this, he gives up what he already has worked for in favor of pursuing his dream of becoming a barrister. It sounds like the story of considerable sacrifice, hardship, and questions of whether Quinton made the right choice. He breaks down once early on as he starts to follow Marcus and becomes overwhelmed with his new path. However, afterwards, he seems to easily float through. By the time he becomes a barrister, we are under the impression his career change was a piece of cake. I didn't want a bunch of emotional scenes, but I did want to see Quinton grow as a student of the law and eventual barrister and feel at least a little rewarded at the end when he is finally shown in the wig and gown.

With that said, Quinton is still perfectly lovable enough. Having portrayed many heavy semi-vilain roles lately, Louis appears very comfortable and laid back here. It was nice to see a quirky and playful side of him, especially when he would lovingly talk to his plants and speak about aliens to his parents. I enjoyed his scenes with Grace. The friendship turned mutual romantic feelings came about rather organically. I loved when he playfully pushed Grace to admit she is "Black Angel" with the stuffed bear (which ended up in hilarious awkwardness for him when she gives it to Brittany). Louis makes Quinton a very endearing character to watch even though the writing of the character leaves much to be desired.

"The Voice" alumni King Lam is a surprising treat to watch as the slightly goofy but goodhearted and
blunt lawyer with a crush on Ah Fa. I loved whenever he wasn't afraid to speak his mind in situations even when not exactly appropriate. (For example, the scene where he suddenly yells at the girl who flushed her baby down the toilet that she had given birth to a kid, not a piece of BBQ pork honestly had me laughing so hard). I was sad to see his screen time was significantly reduced by the final episodes.

Louis and King round out the dominantly female friend group well, and make the friendship aspect more dynamic. I loved the scenes the two shared together, especially whenever they would make fun of each other about the girls they had feelings for.

Overall Thoughts

The few cases that the series manages to churn out are either boring, convenient (such as the case of Brittany's family friend getting acquitted of assault against his mistress with CCTV footage), or sloppily concluded (such as the compensated dating and rape case). As a result, I'm still looking for another great legal drama from TVB.

As for the series itself, the script apparently decides they want to focus on the friendship of the four girls and to a lesser extent, the two guys. I would have been welcoming of that, only this focus on friendship is largely on superficial things like them going on trips together (Do pupils and trainee lawyers have that much free time?). I don't doubt they are all great friends, but it is all skin deep and fails to show any deep connections. This is not necessary for a series in general, but I believe this is necessary for a series that decides to be so character and friendship-driven, or else you have little of any substance.

"Raising the Bar" ends up being the stringing together of some entertaining and fun scenes between the core friend group and some bad story lines. The cast is too large, which led to a strange allocation of screen time. After 23 episodes of not doing much, the finale also strangely decides to shove in a large rape case against a main character, a parent's death, another parent dying of illness, a wedding, and two surprise cameos from Tony Hung and William Chak. Other than that, the series is easy to watch while easily forgettable. This is the norm for TVB lately, but what makes it disappointing in this case is that it could have been something much more.

Rating: 3 stars

Recasting: "How I Met Your Mother"

While American shows and actors are no doubt vastly different from TVB's, I always thought it'd be fun to do a "recasting" of American shows with TVB actors.

Here is my recast of one of my favorite shows, "How I Met Your Mother"...

Ted Mosby: Raymond Lam before 2008 or Edwin Siu

I have two choices for Ted...one of which requires a time machine. Since "Moonlight Resonance" and becoming an idol, Raymond Lam seems to have gotten the interesting sucked out of him. However, in his earlier series, he was such a fun and charismatic actor who had a good amount of comedic talent. He's played several more sensitive characters before and does it well. This makes him a good match for Ted, a hopeless romantic looking for the right girl. While I can see him playing such a character now too, I think the Raymond of yesteryear would have been able to portray Ted with the appropriate humor and quirkiness, but would just seem like a lovesick puppy playing him today.

As for an actor who could play Ted today, Edwin Siu could play the role as well. I can also see him as the sensitive and romantic but goofy guy. In fact, with his comedic timing, he could probably better bring out Ted's quirks and silliness.  

Tracy McConnell - Ella Koon

To play the infamous "Mother" Ted eventually marries, I would cast Ella Koon. While I think Cristin Milioti is in her own league of charming and adorable, Ella can also be very cute and sweet. She has that affability about her that could make viewers fall in love with her, much like viewers did with Cristin. Plus, she and Raymond have shown they share chemistry, even though "Highs and Lows" wasted her character. 

Robin Sherbatsky: Myolie Wu

Myolie is the best young TVB actress at playing the strong and independent career-minded woman. As Robin is an ambitious reporter who is always putting career before love, Myolie is an obvious choice for Robin. However, she would also be able to portray Robin's weaknesses and vulnerabilities.

Raymond and Myolie have already shown they have great chemistry in "Survivor's Law," so playing lovers would not be a problem, though I'm not sure how she would fare with Edwin.

Lily Aldrin: Selena Li

Lily is the more feminine one and a very sweet person, but don't let that mislead you, because she can also be incredibly intimidating with her surprising manipulativeness, which makes her a delight to watch. This makes Selena a very fitting choice for Lily. She is plenty sweet and feminine, but has also shown she can transition to look and act more manipulative, such as in "Slow Boat Home." I think she could portray this with the cute mischievousness Lily usually tends to do, which makes her appear "scary" to the guys. It would be incredibly fun to see Selena in such a role.

Marshall Eriksen: Ruco Chan

Marshall is my favorite character on HIMYM, and honestly, unlike the other characters, I can't think of anyone who feels really right and spot on for the character. Marshall is the most naive and homely of all the guys, but often the most grounded. I think Ruco could portray that, while also doing well in portraying his aspirations to be an environmental lawyer that saves the world (yet for many years, failing to do so). A few fan videos with clips of Ruco from his drama series and variety shows I recently saw reminded me he can be lighthearted and quite funny, particularly with his facial expressions. However, Marshall is arguably the character who can be the quirkiest and goofiest, and I highly doubt Ruco can pull it off with the hilarity Jason Segel does. Also, as Niki told me while I was telling her about this post, "I can't really see Ruco telling Big Fudge jokes."

The actors who play Lily and Marshall have to have a ton of chemistry, as they're the stable and "model" couple of the group. Ruco typically keeps his distance from his female co-stars, but his chemistry with Selena was off the charts in "Slow Boat Home," even though the series itself was bad. They were incredibly cute in the flashback scenes, much like how Lily and Marshall are. I can see them being that stable yet lovey dovey and sweet couple.  

Barney Stinson: Louis Cheung

I saved my favorite casting for last! The first character I casted, Louis almost immediately popped into my head for Barney. He is one of those few TVB actors who can pull off more flamboyant characters, which is definitely needed for a character like Barney Stinson, who is at times almost like a caricature whose larger than life. Louis' suaveness and charm would make him completely believable as a playboy, and he can really wear a suit. He'd be hilarious with his comedic timing, and I think he's also capable of giving Barney that lovable quality and heart that Neil Patrick Harris does, which keeps Barney from seeming like a one-dimensional cartoon. Lastly, I can easily imagine Louis getting up and saying "It's going to be legen - wait for it - dary!" 

While Myolie and Louis have not paired up before and don't look very compatible physically, I think the two talented and comedic actors would be able to hold their own against each other as love interests, particularly in the scenes where they bicker and poke fun at each other (with love of course).

Do you agree with these casting decisions? Who would you cast for the "How I Met Your Mother" gang?