TVB Anniversary Awards 2018: Results + Comments

Lifetime Achievement Award: Nancy Sit

TVB usually hits the nail on the head with these (unfortunately I can't say that for much else they do). Nancy is a TVB fixture with a career that has spanned more than 60 years, so of course this was deserved.

Professional Actor Award: Angelina Lo, Timothy Cheng, Jimmy Au

All three are spot on. Angelina Lo is TVB's best bitchy mother-in-law, while also great at playing loving mothers, or bitchy mothers who have a soft side. Timothy Cheng still gets tasked with villain roles a majority of the time, but always delivers. Joel ended up winning Best Supporting Actor last year over Jimmy for "The Unholy Alliance," which just made more sense because as solid as Jimmy was, his character was still relatively minor. This gives him acknowledgment for his years of playing everything from villain roles to loyal and strong ones to comedic ones.

Most Improved Actor: Matthew Ho
Matthew was obviously going to win since Owen was only in variety series this year, and the rest of the competition was pretty trash (sorry Hubert, still loved you as Shek Kam Dong). I didn't watch "Life on the Line," but this award seems warranted, especially since he was already the hot favorite to win for his performance as "Siu Tung" last year, though TVB decided to finally award Mat Yeung instead.

Most Improved Actress: Crystal Fung
You know TVB really pulled a fast one when even the winner herself is visibly completely befuddled as to how she won the award. Crystal has literally acted in one series so far ("Apple-colada"), therefore she has nothing to improve on. I was particularly surprised Crystal won considering TVB seemed itching to give this to Louisa Mak. I'm not even sure which winner would be worse, but from a logistical standpoint, it is definitely worse to give it to someone who has had no opportunity to even try to improve yet. I'm glad Crystal acknowledged this in her speech though, and that she said she'd work hard to improve to actually earn this award.

Most Popular TV Partnership: Edwin Siu and Raymond Cho for "Two Men in a Kitchen"
You don't need to look any further than the pair's matching red suits and going up to get their award hand-in-hand to know these two are best buddies. Their friendship is so apparent, TVB even gave him this award two years in a row even though they had no incentive to!

The highlight of the night though was Edwin dropping a bombshell and thanking his wife Priscilla in his acceptance speech! He was so awkward and nervous about it, and while some found it cringeworthy, I found it hilarious - clearly, Priscilla is the more eloquent in this relationship. ;) I'm surprised they managed to keep it a secret since April! These two don't get much press since people just don't seem to care, but they have long been one of my favorite real-life TVB couples. They are very low-profile yet seem so genuinely sweet and fun (as evidenced by Edwin's first failed proposal on a roller coaster, and Priscilla proposing the second time).

Most Popular Series Song: Hana Kuk's theme song for "Life on the Line"
I'm SHOCKED! Nah, just kidding.

My Favorite TVB Drama (Singapore and Malaysia): "Threesome"
Glad that "Threesome" got some acknowledgment! Clearly, Singapore and Malaysia appreciated this series that TVB cast aside, cut down, and then banished to weekends much more than Hong Kong.

Best Supporting Actor: Oscar Leung for "OMG, Your Honor"
This was slightly surprising given that he was not a buzzed-about nominee (but then again, who was in this category?). Given his years of solid performances and what sounded like a more major character in "OMG, Your Honor" though, it was still deserved. Despite hitting a surge in popularity in 2012 and 2013's "L'Escargot" and "Tiger Cubs," TVB has seemed to have cast him aside into minor supporting and gangster roles again in the last few years, so I'm sure this unexpected win was encouraging for Oscar. And you know Oscar genuinely did not expect this, since he wore sneakers and said he would've put more effort into his look had he known he would win.

Best Supporting Actress: Mandy Lam for "Come Home Love: Lo and Behold"
Probably the most deserved award of the night (minus the veteran honorees)? Mandy was a hot favorite to win last year, and in one of the biggest "WTF" moments in recent anniversary award memory, Rebecca Zhu won instead. I have usually liked Mandy despite playing very small roles, and am happy she has been gaining recognition. Of all the winners of the night, Mandy seemed the most balanced, looking genuinely grateful while also being very well-composed and eloquent in her acceptance speech, despite a turbulent career that included fighting (and winning!) a battle against cancer seven years ago.

My Favorite Male Character: Kenneth Ma for "Deep in the Realm of Conscience"
Kenneth's expression when his name was announced, as well as his acceptance speech, was the most unintentionally hilarious moment of the night. While his colleagues, including Ruco and Ben, looked genuinely happy for him, Kenneth looked visibly in disbelief that he was winning this award for the third time. I usually hate when actors wear a "black face" when giving acceptance speeches, but this win was so absurd that Kenneth's complete failure to hide his sassiness in his speech, which included remarks such as how he did not pay anyone for the award, cracked. me. up. I think Kenneth himself knew he didn't have much of a chance for Best Actor this year, but was even more annoyed that TVB wanted to stroke his ego with this award again and just felt mocked instead. Once in a while this award really can mean something, and that you played a memorable character audiences loved. Most of the time, it's a pork award, and Kenneth's win was the epitome of that. Poor guy probably would've dropped TVB like a hot potato years ago, but knows his worth is in Hong Kong and that he would not fare well in Mainland China like his former more idol-faced colleagues like Ron and Bosco.

My Favorite Female Character: Alice Chan for "Deep in the Realm of Conscience"
I love Bobby so much, but wanted to slap him off the screen when he was presenting the leading female categories. The bit would have been fine and worth a chuckle if Bobby simply stated Jessica Hsuan yelled at him for forgetting to thank Tommy Leung 18 years ago, and he wanted to do so now. But like with most things, Bobby had to keep dragging it out and going on and on as if this was his time to give an acceptance speech. I'm assuming this was TVB's idea of humor and not completely Bobby's doing, and he was just responsible for rambling, but it was incredibly stupid, even more so with the cramped time.

I realize "Deep in the Realm of Conscience" was a grand production, but I'm kinda surprised Alice wasn't nominated in this category for "Apple-colada" instead where she played a strong and sassy female protagonist instead of a villain. The Best Actress and Fave Female Character competition was clearly a race between Alice, Ali, and Mandy this year, and I was betting that if it was anyone that was the most likely to go home empty-handed, it would have been Alice. I've always liked Alice though, and did not see her winning Best Actress, so I'm glad she still received recognition.

Best Actor: Joe Ma for "Life on the Line"
This was another one of the head scratchers of the night, but probably the one I was most indifferent to. Joe has never been a great actor, nor is he a bad actor. He's just kind of...meh. But I guess it was his time. I can only be so offended when the rest of the competition besides Dicky was trash, and Dicky's series was shoved to the end of the year.

Best Actress: Ali Lee for "Who Wants a Baby?"
And TVB stabs Mandy in the back and throws her to the wayside. I can't believe TVB gave Mandy nothing. I have liked Ali since her debut, and she has quickly become my favorite new leading actress out of the lukewarm bunch we have. Indeed, she has rapidly improved, and if Mandy and Alice weren't contenders, people probably wouldn't care. Unlike most other newer generation actresses, Ali has won quite a bit of both not only TVB's favor, but the audience's favor. Unfortunately, by giving Ali this award so soon (just two years after winning Most Improved!) in a year with competition, TVB is unfortunately opening her up to be criticized and disliked for something that is not her fault, much like Natalie Tong when she won this award last year. And the sad thing is, her career did not need such a boost with this award. She is already popular and in-demand because her other similarly-experienced female colleagues suck. I still love you though Ali.

Best Drama: "Life on the Line"
The only category I predicted correctly this year - yikes. I'm glad "Beyond the Realm of Conscience" did not win this though, and that what seems like a deserving series did.

"Two Steps From Heaven" Review

*MAJOR SPOILERS AHEAD!

Anniversary series "Two Steps in Heaven" tries to have a little of everything, from drama through fights for power and office politics, to romance, to sitcom-like comedy, to some outrageous plot twists. The result is that there should be something you'll enjoy, however small, but the series is disjointed and lacks a cohesive plot or direction.

Bosco Wong leads out the cast of this effort to be everything as what has got to be the most unlikable main protagonist in years. "Sheldon" is ambitious and manipulative, to a point where he is willing to betray his friends and leave his family to the dust, even though he already has a pretty darn good job (especially after Priscilla/Edwin become the boss of Rainmakers).

Flashbacks show that he used to be a paparazzi reporter who was seriously beat up and subsequently went into PR, but dead set on more. Despite the flashbacks, viewers are left still unsure of how Sheldon became the way he did. It also still remains unclear why he carried on an affair with "Emma" for over two years. What should have been a complex character was missing layers. In fact, a few scenes seemed to hint he was suffering from PTSD or some kind of mental disorder (such as when he severely assaults a drunk man who threw up on him, and throws away the birthday cake his daughter gives him), but in typical TVB fashion, this potential storyline is thrown under the bus to just make Sheldon despicable and unreasonably ruthless.

With that said, Bosco gives one of the best performances of his career, bringing out all the not so flattering and glamorous traits of Sheldon. Of course, this is just as he announces he is officially leaving TVB.

If there is something the writers really deserve props for though, is killing off Sheldon, and in one of the most cruel and slow ways I have seen for a protagonist. It was incredibly bold, unexpected, and satisfying, but his death-bed redemption was a total cop out. It's as if the writers realized at the last minute they had made Sheldon too bad and unsympathetic, so they tried to claim he actually did love his wife and daughter all along, but it certainly did not fool anyone. I guess every smart writing move has to be balanced out with a bad one.

Similar to "Sheldon," Priscilla Wong's "Sing Seung" leaves the audience still unsure abo
ut how she became so scheming and aggressive. The backstory with her ex-boyfriend does little to explain this, and instead acts as an annoying plot point brought up every once in a while. At a length of 35 episodes, you would think the writers would have actually utilized the length to properly show character development.

Priscilla actually performs relatively well in her most mature role to date and first villain role. I did not originally see her in this kind of role at all. While she is too calm in her portrayal at times, it does reaffirm my belief that she is not as bad of an actress as a lot of people claim she is. At times she left me scared or uncomfortable, which I never thought I'd say about the fun and happy-go-lucky Priscilla. Comedy remains her strength, but I liked seeing her in a more "adult" role for a change.

Meanwhile, Edwin Siu proves that just being one of the main characters in an anniversary drama does not mean you need to be interesting or have any story of your own. He's an all-around too good and nice guy who marries Priscilla and realizes she is not the person he knew her as. He also wears a lot of turtle necks. That's about it. Surely Edwin has been bored at work lately?

Louis Cheung rounds out our trio of male leads as a balance of Bosco and Edwin's character's overly bad and overly good qualities. The sometimes foul-mouthed and sassy "Tim Siu," who is actually a really great guy who would do anything for his friends, is a type of character that Louis has perfected, and gave audiences at least one character to root for. Louis has always excelled at bringing out subtleties and layers in his characters, even if he does not have much to work with, just by nature of his acting. He really showed how "Tim," despite the humor of his character that could suggest otherwise, was such a caring  and genuinely good person. The actor has truly been a gift for TVB.

A news article released shortly before the series started airing suggested that there would be breakthroughs to look for in our three leading men. Perhaps the real breakthrough though was Luk Wing, as "Ted." The introduction of his typical spoiled rich boy character makes it seem like he'll be one of the most annoying characters you will have ever laid eyes on. Yet, as the focus starts to shift to him, and he discovers his passions and how to apply himself, he becomes the heart of the series. As a result, it is heartbreaking when Ted is driven to death, and a void is left for the remainder of the series.

Luk Wing is hilarious and lovable as Ted, stealing the screen in all his scenes without goi
ng too over the top. Instead, he's just entertaining and gives the audience something to laugh about while Bosco and Priscilla are running around doing...whatever it is they were doing, to his complete oblivion. He also proves he can do drama as well, showing Ted's increased frustration and hopelessness before he finally decides to plummet to his death. His top 3 nomination for best supporting actor is well-deserved and I hope TVB will continue to give him meaty roles such as this.

As mentioned earlier, "Two Steps" tries to be a little of everything, and this meant at times it felt like a sitcom, especially in the scenes Louis and Luk Wing shared together. Perhaps one of the writers should have pitched a sitcom with these two instead, because some of the series' best moments is when they are just bickering or horsing around with each other. Gloria Tang's "Maple" throws in some fun to their dynamic as well, but her acting is unnatural and at times awkward. It also annoyed me that despite being his best friend, she seemed to have no reaction to Ted's death and gotten over it in five seconds.

Also worth mentioning is Kandy Wong as "Da Jie," who becomes an unlikely couple with Ted. It was enjoyable seeing her in a mature role despite her babyface and height, and also proves perhaps TVB shouldn't always put their youthful and petite actresses into a box where they're always playing the little sister.

Bosco, Louis, Luk Wing, and Kandy may have turned in some solid performances, but apparently TVB thinks otherwise, as the only person who received recognition for their performance is Katy Kung. Also a victim of the little sister typecast, Katy gets to play a wife and mother here, and a good chunk of performance is adequate and sympathetic. However, her crying scenes are incredibly cringeworthy and show she was trying way too hard. While I'm glad Katy is finally getting some acknowledgement for her work over the years, it's unfortunate that it had to be for a performance where she was actually a weaker link.

No character is weaker than Moon Lau's "Emma" though, who went from the mistress who didn't want to give up, to disappearing, to returning as someone who was just plain crazy. Moon's popularity spiked this year after an endearing performance in "A Fist Within Four Walls," but "Emma" exposes just how many weaknesses she still has an actress. Her emotional scenes are unnatural, and the character itself is hard to have any sympathy for. She should have stayed gone after Sheldon dumped her, but I guess someone had to kill Sing Seung? While that move was also unexpected, it just felt like overboard and one last ditch attempt to shock the audience. I'm just really glad the writers did not have her end up with Louis.

As mentioned earlier, the series tries to be a little of everything, then makes poor attempts to string it all together. While I greatly enjoyed Louis and Luk Wing's comedic scenes, it was always bizarre to remember that this was part of the same series where Bosco beats the lights out of a drunk man, Luk Wing eventually jumps off a building, Priscilla slowly poisons Bosco to death, and Moon stabs Priscilla multiple times with a huge knife out in the middle of the street. To reach the 35-episode length, they also gave random moments to supporting characters, such as Snow Suen's mummy-fetus and Claire Yiu finding out William Chan is a fan of hers from her modeling days. Instead, they could have used this time to better explain how Bosco and Priscilla became the way they did, and oh, I don't know, give poor Edwin a personality.

Overall

Some may disagree with me, but I still found "Two Steps From Heaven" to be quite entertaining at times, if only in a soapy, mindless way. With better execution, it had the potential to be a very compelling series balanced out with elements of comedy. Instead, when looked at objectively, we're left with a bunch of strings that weren't tied together. However, for fans of Bosco (if you're fine with spending 35 episodes hating his guts that is), Louis, and Luk Wing, the series was not a complete waste of time and has its moments.

Rating: 3 stars

"Madam Cutie on Duty" Review

Before I started "Madam Cutie on Duty," I thought the series would go in either one of two different directions: It would be an enjoyable lighthearted drama, or a very lame and unfunny one. The selection of scenes from the theme video seemed to make it point towards the latter. Thankfully, after a more over the top premiere episode, "Madam Cutie" becomes yet another funny and fun series that is very entertaining.

Although the series has a likable supporting cast consisting of faces like Mandy Wong, Kaki Leung, Rachel Kan, and Raymond Cho, it is romantic leads Priscilla Wong and Edwin Siu who make it worth watching. 

Priscilla and Edwin met filming this series, but what is surprising to hear is that the two did not even befriend each other until after filming completed, and would typically go into their respective corners when the cameras stopped rolling. This does not show at all on screen, as the two looked completely comfortable with each other and evoke playful chemistry while their characters bickered, and sweetness as they started to become friends and care for one another. Without this chemistry between the leads, "Madam Cutie" would have been a complete bust.

On her own, Priscilla is able to prove critics who say her acting is one-note wrong. Here, she has plenty of room to show audiences her comedic talent and timing and delivers as "Fa Ping." She is endearing, cute, and at often times laugh-out-loud funny without becoming too exaggerated. The moments where she notices herself morphing more and more into a housewife were probably the most comical. I hope to see her in more comedic roles such as this.

Edwin does not shine as much on his own as his female lead, but is still likable as "Law Dai Shu" and it is nice to be able to see him finally taking on a lead role. He delivers solidly with what he is given, but the script does not provide him with anything he has not done before. My major complaint is that while it was appropriate for the character, I constantly wanted to brush Edwin's messy hair.

Although not a star-studded trio besides for Mandy Wong, the three housewives Priscilla befriends are great. While Mandy's screen time significantly decreases in the last few episodes, it is obvious that she has got these housewife roles down pat. Instead of being loud-mouthed and obnoxious, her character is much more soft-spoken yet still clever here, and she plays it effortlessly and with cuteness. Kaki Leung has vastly improved since her debut in "E.U." and is quite likable to watch now. It was a pleasure to see Rachel Kan in a larger role, and she proved to be quite amusing at times, particularly with her superstitions, all the while being sympathetic. The sweetest part though was seeing Fa Ping genuinely growing closer and caring about the housewives and developing a real friendship with them.

The subplots of the supporting characters themselves are watchable enough, but are not as interesting and entertaining as the main storyline of Priscilla and Edwin living and working together to investigate the case. However, I did enjoy Rachel's storyline with her son, and how he gradually matured and came to appreciate her.

Unfortunately, the series is not without some weak links that bring the series down from being the most easy and light fun it can be. Lee Yee Man gives the most annoying performance as well as the creepiest. Many of the older cast member's characters were a drag to watch too. How many more times is TVB going to make Rosanne Lui play the mean and spiteful mother-in-law and Mary Hon the mother who abandons her kids? Susan Tse's character is also rather irritating, and I would much rather either see her in more kindhearted mother or clever villain roles again. The worst storyline though is the return of Mary as Dai Shu's mother in the last few episodes of the series, which seemed like more of an excuse to give Edwin some emotional scenes and push Dai Shu and Fa Ping closer together. It is TVB at their usual with the overdramatic and soapy family drama. Luckily though, the series bounces right back for a hilarious final episode that sees the housewives defending themselves (and winning!) against gangsters with pots and pans and ketchup bottles. 

Overall, while there are some less than stellar points, "Madam Cutie on Duty" is yet another easy and enjoyable watch from TVB, while also being funnier than most lighthearted series. Leads Priscilla and Edwin are what make the series a delight to watch, but Mandy, Kaki, and Rachel shine at their own certain moments as well.

Rating: 3.5 stars