Showing posts with label Him Law. Show all posts
Showing posts with label Him Law. Show all posts

Wednesday, April 6, 2016

"Fashion War" Review


TVB finally offers up something different from their usual family and romance-heavy dramas, and this time it paid off. Although "Fashion War" may have initially looked unappealing to me due to the cast, it has surprisingly become the first series I breezed through this year and could say I thoroughly enjoyed. The writers waste no time diving right into the world of office politics in the intriguing but cutthroat fashion magazine industry. 

Not only is office politics the theme of the series, but it takes front and center, with next to zero romance, which was surprising in a cast full of attractive females. This allowed "Fashion War" to be very plot-driven and character dynamic-driven. While it could become a little overwhelming (seriously, between all this plotting against each other and trying to protect themselves, when do these people have time to actually do their jobs?), the office politics theme was entertaining and kept me on the edge of my seat. 

Although I'm glad it was not dragged out, it is another series that would have benefitted from a couple more episodes because with all the characters the series possessed, further development of them individually wouldn't have hurt. Instead, we focus more on how these characters interact with and work (or rather, compete) amongst each other.

My main concern going into this series was the cast. In particular, I haven't enjoyed Moses Chan in a series since probably 2002's "Family Man" and wasn't thrilled to see Sisley Choi leading. 

For Moses, as annoyed as I could get by the pretentious aura he gave off, especially in the early episodes, I have to admit he brings out the cool and aloof image of "Yip Long" well. However, it is in the later parts of the series where he shows some emotion, such as when he expresses proudness of Ah Yan, that I really started to warm up to him. After 20 episodes though, I still just barely tolerate that skunk hairstyle.

Sisley is adequate as "Cheung Yat Ling" (or more commonly referred to as "Ah Yan"). It's obvious she tried very hard to control her voice so that it would not get too high-pitched and grating for
viewers. The result is that she's likable enough, especially with her character's genuine passion for MODES in comparison to the ulterior motives everyone else has for doing what they do. Ultimately my biggest complaint is about the character Yan herself. Time and time again Yip Long and the writers remind us that Ah Yan is incredibly gifted and poised to become the next editor-in-chief and trendsetter of the fashion world. Yet, we are never shown that, other than for her messing around with the magazine spread on the wall before her first interview. We just keep getting told it. By the end, I still did not think that Ah Yan had the capability to take over for Yip Long. 

Ali Lee gives the strongest performance of all the females as "Kei Wan Wan" or "Vincy," though that is also in part because of her more fleshed out character. She is convincing as the smart and manipulative advertising manager without going too overboard. At the same time, she also brings out the vulnerabilities in her character. She gives off a very similar aura to Kate in regards to her more mean but strong girl look, but her acting is already much more natural than Kate's was at this point in her career. I have a lot of confidence in Ali and am looking forward to seeing her in her next leading roles. 

Him Law rounds out the cast by providing some comic relief in the beginning. As lazy as he was in the beginning, I found it hilarious whenever he was supposedly sleeping, but still heard everything else the others would say and would chime in with a blunt but true remark then promptly go back to sleep. I enjoyed his friendship with Ah Yan, and loved how she positively influenced him to work hard and tap into his potential. "Ah Fan" states that without modeling he is nothing, but I would've liked for him to realize he truly did like working at the fashion magazine and acknowledge he had talent. However, the writing for the character got sloppy towards the end when
he suddenly started showing so much concern for Vincy. 

The rest of the cast is unsurprisingly mediocre, although not too cringeworthy. The series is plot-driven enough that, coupled with its large cast, made it easy to overlook the acting. For example, Jacqueline Chong says almost all her lines in the same way with the same facial expression, even though she is sometimes content and other times angry. Yet, it can be overlooked since "Danielle" is probably the most indifferent of the supporting characters. Vivien Yeo is probably the most confusing supporting character because she perpetually looks pretty mad or annoyed, yet we never find out "Ada"'s true motive for staying with MODES. It's definitely not because she genuinely loves MODES, and I don't buy that she has feelings for Yip Long. If there was one person who made me want to rip my hair out though, it wasn't one of the girls, but Hanjin Tam for his obnoxious and almost cartoon-ish character. 

Mediocre acting from the supporting cast aside, "Fashion War" is worth checking out because it's very different from anything TVB has been doing lately, making it a breath of fresh air. It is a treat that for once, a series isn't being bogged down by draggy romantic storylines and instead focusing on the central plot and interpersonal working relationships. The pacing is fast and the plot is juicy. Overall, it's the most entertaining thing TVB has put out all year. 

Rating: 4 stars

Saturday, August 18, 2012

"Tiger Cubs" Review


"Tiger Cubs", with its high budget and quality of production as well as its cast ensemble, is easily the best series of the year hands down.

The series seemingly flies by with its straightforward plot and quick pace.  It has viewers hooked from beginning to end, without ever wavering in quality or consistency too much like typical TVB series do. From the first episode, it is clear the effort that was put into the series.   From the cinematic-like filming style, to the thrilling and well shot action sequences, to the wonderful ensemble of characters, "Tiger Cubs" is the most quality production of the year.

Cast and Characters

"Tiger Cubs" is easily most beloved for its young SDU boys, which consist of Oscar Leung, Him Law, Vincent Wong, William Chak, and Benjamin Yuen.


Oscar Leung receives the best character of his career with "Chong Chuk Yuen", as the role allowed him to shine and show his charisma and potential as a future leading actor.  Unlike his usual more rough and comic relief-type roles, Oscar is a gentlemanly, calm, mature, and sweet young man with a romantic side here, something we've never been able to see much of before.  Despite the age difference, he realistically portrays the brotherly friendship between him and Joe with ease as well as the sibling chemistry with Jessica.  And of course, his signature wink was adorable.

The fabulous acting by the young cast does not stop at Oscar though.  Him Law portrays the confident, cocky, rash, and impulsive "Yu Hok Lai" naturally and without a problem.  He matures and develops a close friendship with the team's technician So Man Keung (portrayed by Mandy Wong) as he helps her get over her fear of heights and achieve her goal of becoming the first female SDU member.  I can not deny he is one of the best actors of his generation and has what it takes to be a lead actor.

Vincent Wong delivers his most natural performance to date as "Yau Chun Hin".  In contrast to his best buddy Ah Lai, Hin Jai is humble and patient, but is insecure and lacks self esteem due to the pressure he feels from his family, which is full of heroic and accomplished cops.  Ah Hin was the character with the most potential, and I had looked forward to seeing him mature and become more confident as the series progressed.  Unfortunately, the script did not seem to have any intentions of focusing in on Vincent (notice he's the only one of the main SDU guys to not have any love interest), as he had the least screen time.  His character development was executed in a disappointingly abrupt and brief fashion.  Regardless, Vincent did wonderfully with what he was given.  In the early episodes, you could see the hesitation in his eyes as he started SDU training.    He also finally shed his habit of adding in English words and phrases to his lines.

No one had expected Hin Jai to be the one to die.  (Thanks to a prank by Jessica, who had "confessed" her character died early on during its airing.  This turned out to be a stunt by Jessica and Vincent to keep the actual ending under wraps.  Very clever, Jess...)  Hin died in such a tragic, graphic, and gruesome way.  Huge props to him for giving such a memorable performance in his last scene.  His death already had me in tears, and seeing the character try to utter one last smile to the world before he passed made my heart break.  Fantastic acting touch.  Previously, I already loved Vincent for his real life down to earth personality but thought his acting left much to be desired.  He shows he has what it takes to be a solid actor here, and I will be cheering for him all the way.  If a sequel does happen, I will greatly miss his presence.

Mandy Wong, like usual, delivers solidly and is perhaps the only female of the male dominated cast that is likable and interesting.  Christine Kuo gives what was hands down the weakest performance with her scattered Cantonese and English and bimbo-like character.  William Chak did well in the one episode he had the spotlight (the tour bus storyline), and I look forward to seeing more of him.


Although our lead actors perform adequately, they fail to shine and instead are overshadowed by the bright group of youngsters I mentioned above (excluding Christine).  Joe Ma, as our leading man, anchors the SDU team as their leader, but fails to leave an impression like the others.  He is likable as the hardworking "Chin Sir" who cared deeply for his subordinates.  As a character with not much of a dynamic though, he was easily outshined.


Jessica Hsuan portrays a different type of police officer here as the depressed and suicidal "Madam Chong".  While she delivers, it is hard to make this type of character likable as the depressed and suicidal state (understandably) of Madam Chong rid her of her personality and livelihood.  When she recovered though, she lost the only major dynamic she had.  However, as Joe and Jessica's relationship finally started to fall for each other, they did get some smiles out of me.  The scene where they are both sitting at the dining table stealing glances at each other was awkwardly adorable.


Other Notable Performances

This review would not be complete without mentioning the series' resident ultimate villains Kenneth Ma and JJ Jia, who made their debut in the first episode and returned in the last for a nail biting finale. Kenneth is chilling, frightening, and convincing as "To Tin Yau".  JJ Jia gives a decent performance as well.  However, they have already received endless praise for their roles, and I would like to mention others too.

Kenny Wong appeared in what was an underrated guest star role.  While I'm not usually fond of the actor, he gives a heartbreaking performance as the loving father forced into committing crime to get money for his sick son's surgery.  You could see the guilt in his eyes and that he genuinely did not wish to hurt anyone, especially in his last confrontational scene with Mandy.  Despite doing a bad thing, he sparked sympathy through the portrayal of all the emotions the character felt while doing it.  Jazz Lam was adorable, pitiful, and convincing as (autistic?) young boy whose life long dream is to be a cop and take care of his mom.  He is such a valuable and rare actor.

Lastly, a shout out to my favorite "underdog" artist, Patrick Tang.  He appeared in the series as a regular under Jessica's team.  Though "Ben" is Patrick's smallest role yet (I smell demotion), he makes the most out of the very minor but likable character.  It was nice to see Patrick in a more professional and mature role.  I loved the character's loyalty to Jessica as well as his subtle touches of humor.


The Series in General

The plot isn't one that sparks thinking or deep meaning, but the writing is above average for TVB's shoddy scripts these days.  The change in format was refreshing and proved to work well.  Since it clocked in with slightly longer episodes, but a shorter overall episode count at just 13, this made "Tiger Cubs" more consistent and less prone to cliches and filler material.  In fact, by the series' end, there is still a lot of potential for further development.  A majority of the scenes served a purpose, and unlike most TVB series today, doesn't stray from the point.  Additionally, the cinematic like filming style and high budget makes it look much more presentable, professional, and more attractive to look at.  It is the rare instance that they try something new and different and succeeded.  Quality isn't compensated, it's even better.  I appreciate how it still has the familiar feel of a TVB series, but attempts new things and actually executes it well.

Highlights

  • The brotherhood, friendship, and chemistry between the characters.  The SDU team truly felt like a team, and I'll miss them!
  • The action sequences/climaxes.  The cases themselves were fine, but not overly intriguing.  However, the climaxes always had me sitting at the edge of my seat!
  • The finale.  Never has the finale of a TVB series had me so nervous, stressed, and thrilled!  My heart was probably pounding by the second half of the finale. 
Overall

You don't break what's not broken.  However, recent TVB series have indeed been broken - in other words they've mostly sucked.  "Tiger Cubs" takes a familiar formula but improves upon it with outstanding acting, cinematography, style, and action.  The script is no masterpiece, but it is through its execution that "Tiger Cubs" shines like a diamond.  

Rating: 4.5 stars

Monday, March 5, 2012

"L'Escargot" Review


As the series that managed to both bore and aggravate me, I'm not sure how I managed to finish "L'Escargot". Either way, I'm thrilled that I finally got it done with and due to being busy with school, extracurriculars, and AE Experience, I almost passed up writing a review for it.  Then again, I needed some way to vent my feelings for all the irritation this mediocrity caused me.  As a result, I will take a more informal and sarcastic take for this specific review.

This series was supposed to show the hardships of the working class and buying a house right?  And yet, I felt more hardship trying to sit through all the aggravating relationships and love lines.

Before I start getting too cynical (I'm the one who made myself finish it), I will add that "L'Escargot" had a lot of potential.  It could've been easy to relate with due to the premise of hardships the working class go through in society.  Due to a poorly written script and set of characters though, it becomes near impossible to connect with any of them.  A majority of the characters were unlikable and wishy-washy.  How can I relate to a person's hardship if I feel like they brought it upon themselves, or even worse, don't even understand their thinking or actions?

Character Analyzations and Performances




Let's start with the main couple, Kwan Ka On (Michael Miu) and Long Kiu (Sonija Kwok).  Ah On bothered me to no end with how selfless he was towards his family, to the point he always sacrificed his wife's happiness.  It's one thing that he puts his family in front of himself, it's another thing that he doesn't even seem to care about his wife's feelings.  It wasn't until Long Kiu started spending an increased amount of time with Paul that he even seem to use any brain power thinking about her.

Long Kiu is one of the characters I'm neutral against.  She was a bit naive, but not to the point she was stupid.  Unlike everyone else, I felt slight pity for her.  She chose Ah On over the much more thoughtful and financially stable Paul because she loved him.  Despite not being the practical decision, she followed her heart.  Unfortunately, that did not result in happiness at all, but rather, more hardship.

As a veteran actor and good friend of Michael Miu, Felix Wong critiqued Michael's performance as his breakthrough upon returning to TVB.  Like Felix said, Michael did something he has not done in past performances.  He shed his usual onscreen charisma and took on the role of a lower middle class and rugged man with ease.  At the same time, I was not able to enjoy Michael's performance or his character.  I hope to see him play better characters, ones that both show his acting skills and are likable.

Sonija Kwok has little problem speaking her lines with the right amount of emotion, but her motions and physical presence continue to feel awkward and unnatural to me.  She doesn't seem to know what to do with the rest of her body, yet she delivers her dialogue adequately.  Despite being quite likable, Sonija has been getting uninteresting characters.


And then we have Kwan Ka Lok (Linda Chung) and Jim (Michael Tse).  Oh dear.  I have never been fond of the two in the first place, so seeing them portraying terrible characters AND act as a couple was too much.  Once again, this plot line could have been done more gracefully, or at least decently.  There was a huge lack of logic in the character's thinking and actions. 

Jim has a beautiful, smart, and capable wife, Man Wah (Joyce Tang), and yet he went running to a little girl like Ka Lok.  He basically found himself a perfect wife that he was unworthy of, and he cheats on her.  Not only that, his love for Ka Lok bordered on insane as opposed to genuine love.  I was literally waiting for some announcement that he was mentally unstable.

Society suffers from having double standards on cheating.  They think it's more despicable for a woman to cheat, yet find it typical for a man to do so.  For Ka Lok, I didn't hate her just because she cheated.  I hated why she cheated.  There was no reason why.  Like Man Wah said in her confrontation with Ka Lok, it wouldn't have been so bad if she was a gold digger or wanted to climb higher on the corporate ladder.  It wouldn't have been as bad if she really was in love with Jim.  While cheating is despicable, at least then Ka Lok would've had justification as to why she cheated.  It wasn't for love, it wasn't for money, it wasn't for a promotion.  She was youthful, bright, and had a great boyfriend.  And she cheated on him with another man.  But for what?  Ka Lok was weak, naive, and had no idea why she was doing what she was doing, even at the end.  Words can not even begin to explain how endlessly annoyed, irritated, and aggravated I was with her.  Linda isn't a bad actress, but she has been cast in so many low profile series in such unlikable characters.  I feel sorry for her, as it feels like she has to cry every day she goes to work. 

The love story between Ka Lok and Jim was not between two people who genuinely loved each other despite already having wonderful partners.  It was the sloppy and messed up story of two very, very foolish people.


Dai Ding (Ron Ng) started off as the ideal boyfriend.  He was sweet, romantic, capable, handsome, and had a good job.  It made me want to slap Ka Lok for not appreciating all that she had, a family and a boyfriend who couldn't love her more.  I pitied him, and was cheering for him to get together with Joyce (JJ Jia) instead.  Unfortunately, by the last few episodes, even his behavior became questionable and he slowly fell into the inevitable fate of most TVB characters these days: he became stupid and irritating.  Performance wise, Ron did a decent job and improved in his emotional scenes.  However, I have no idea why Ron loved this role and series so much.  Except for his one crying scene, this character was only yet another character that failed to show his improvements as an actor.  As a result, I'm still waiting for a true follow up performance to his portrayal of "Chung Lap Man" in "E.U.".

JJ Jia was quite likable and sweet as the incredibly shy and somewhat slow Joyce.  Her acting needs a lot of work, but next to Ka Lok, I didn't care and was just happy to see a more likable and cute character.


Mandy Wong is the year's first breakthrough as her portrayal of "Kwan Yee So" generated buzz and headlines through out "L'Escargot"'s whole airing.  This praise is nothing short of deserving.  Despite her young age, she completely morphed into the role of a loud mouthed, obnoxious, and greedy housewife, right down to the small motions like pointing with her chopsticks.  I found myself amazed at how convincing she was.  Also, Mandy's performance reminds me so much of Iris Wong in "The Threshold of a Persona".  The way they spoke and acted as housewives is very similar.  At certain angles, they even resemble each other a bit!

Oscar Leung finally gets the delayed recognition he deserves as one of the best young supporting actors in TVB.  Usually known and loved for his cute and comedic roles, Oscar also completely morphed into the useless and depressed Kwan Ka Hong.


Kwan Ka Wing (Him Law) and Booking (Yoyo Chen) ended up being my favorite couple to watch as well as my favorite characters.  Sadly, their storyline was extremely rushed and didn't have much screen time.  They brought badly needed comic relief and were very cute together.  Known for portraying bitchy roles, Yoyo Chen was surprisingly endearing and adorable as Booking.  I hope to see her in more of these likable roles!  Although my like for Him continues to dwindle, he is rather natural in his acting and very cute in these little brother roles.  The two were very fun to watch, and it was so sweet when they finally reconciled and realized they genuinely love and care about each other.

The Four P's - Premise, Potential, Plot, and Pacing

The premise was decent and had potential.  The plot itself was beyond poorly written.  The aggravating relationships overshadowed what I assumed what the point of the series was, to show the hardships of the working class.  The pacing was ridiculous.  After watching half the series, I felt like nothing had happened yet.  The title "L'Escargot" is supposed to compare the hardship a snail and a human goes through.  Yet, it was more reflective of the series' slow and snail like pace.

 Ending 


*Spoilers*

A very unexpected and atypical ending for TVB, but once again not realistic or too reasonable.  I was surprised to see that instead of Ka Lok, Dai Ding, and Joyce being alone or Ka Lok and Dai Ding reuniting, Dai Ding and Joyce ended up together.  While I initially cheered for the two of them get together, Dai Ding was obviously still in love with Ka Lok and would never genuinely love Joyce.  The biggest shocker though, was probably Jim turning himself in and going to jail.

Overall


I hope that the high ratings the series received during the finale will not inspire TVB to do more series like this.  Due to its length, pace, and poor script, it was extremely hard for me to sit through.  It conquered what is usually a hard feat to do: be boring and aggravating to watch.  "L'Escargot" was a waste of a great cast.  At the least, it finally got Mandy and Oscar the recognition they deserve.  Other than that, I'm glad to have written this review for it and finally put it behind me.

Rating: 2 1/2 stars

Wednesday, January 25, 2012

Possible Breakthroughs of 2012

There are a couple TVB actors each year that reach a breakthrough in their career, whether it's with an outstanding character, performance, or both. As a result, they experience massive jumps in popularity and their career goes to new heights. Here are a couple actors I think will have a breakthrough in 2012...


Mandy Wong
Upcoming Series: Tiger Cubs, The Hippocratic Crush, Policewomen's Battlefield of Love

After losing out on Most Improved Actress at 2011's Anniversary Awards, 2012 looks like it could be a career changing year for the young actress. Arguably the most talented of the new generation, it seems Mandy is getting more diverse and difficult roles to show it.

She will be the second female lead in both "The Hippocratic Crush" and "Policewomen's Battlefield of Love".  In "The Hippocratic Crush", she will play a hot-headed intern who always wants to be better than her older sister, Tavia. Even more interestingly enough, in "Policewomen's Battlefield", she plays a rough female inspector with the nickname "Madam Kill".  Just the nickname catches my attention!

Although I'm not looking forward to the two series themselves much, I can't wait to see her in these roles.  I've always been able to imagine her playing such ambitious and tough characters, and I'm glad she's finally getting the chance to shine!


Oscar Leung

Upcoming Series: Queens of Diamonds and Hearts, Flying Tigers, The Dazzling Dance of Chang'an, The Great Eunuch, Policewomen's Battlefield of Love (Guest star)

Even though he is one of the most solid young supporting actors, Oscar has always been underrated.  He received a much larger role in "The Season of Fate" back in 2010 and was even pegged to win Most Improved Actor,  but ended up not even being nominated. Since then, he's returned to minor supporting roles.

After getting a moderate amount of attention from "L'Escargot", it's starting to seem likely this will finally be his breakout year.  He has a whooping five other series slated to air this year.  In "The Great Eunuch", he will be portraying the emperor.  While I think he doesn't look the role, his acting chops and talent lets me know it will be interesting.

You are truly not a good actor unless each of your performances leaves a good impression, no matter what the character.  Oscar always manages to turn in a great and memorable performance.  He can provide wonderful comic relief as well as do emotional scenes.  I hope that 2012 will be the breakthrough he and fans have been waiting for!


Nancy Wu
Upcoming Series: Boxing Champion, Daddy Good Deeds, The Great Eunuch

Nancy is another talented and young supporting actress who always leaves a good impression.  She always manages to shine in her roles, no matter how small.  While she has portrayed many interesting and memorable characters ("Ah Sze" in Gun Metal Grey and "Eva" in "Forensic Heroes 3" are recent examples), 2012 looks like it will bring yet another breakthrough for her as an actress.

Portraying a mute and deaf professional boxer in "Boxing Champion", the role has "potential breakthrough" written all over it.  She is the second female lead in the series as well.  If "Boxing Champion" is successful and her performance gets positive reception, perhaps she will finally be promoted to leading actress?  My only reservation about this is that she may lose her appeal if this happens.

Tavia Yeung gave countless memorable performances as a supporting actress, but became dull and received very boring roles after being promoted to lead.  As one of my favorite actresses, I'd hate Nancy to go down that road and prefer to see her in these supporting roles that allow her to shine.


Eric Li
Upcoming Series: Dangerous Protection, The Great Eunuch

I'm not sure what Eric's role in "Dangerous Protection" and "The Great Eunuch" is, as he's once again only has a small supporting role.  However, he reached a breakthrough as the funny and loyal "Lo Yat" in "Bottled Passion" as the character and performance garnered him praise and recognition.

Like Oscar, Eric leaves a good impression with each of his performances.  From the creepy bald rapist in "A Fistful of Stances" to the driver and robber in "Catch Me Now" to the hilariously mean hotel manager in "7 Days in Life", whether it's playing good or bad, he is always memorable.

While it is too early in the year and "Lo Yat" was too small of a role for him to win Best Supporting Actor, Eric's future looks a little brighter. I think now, he will be cast in more series. Perhaps if Producer Lee Tim Sing wasn't retiring, he could promote Eric the way he promoted Raymond Wong. Considering they play buddies in his production "Bottled Passion", wouldn't that just be amazing?


Edwin Siu
Upcoming Series: Boxing Champion, Daddy Good Deeds, Steps to Heaven, The Great Eunuch
Edwin has improved greatly since his "Aqua Heroes" days, while retaining his cuteness. He is lively and enjoyable to watch onscreen, and it seems he is slowly being more promoted. One day, I think he will be first supporting actor. Overtime, he could even be a lead.

Unfortunately, his only more major role from his four upcoming series is "Daddy Good Deeds", which looks cheesy and ridiculous. Perhaps his pairing with Linda will be fun and make some noise? I'm hoping he gets a decent amount of screen time in the other three series. Saying he will get a breakthrough this year is a bit of a stretch, but I'm too fond of him to put him on this list and hope for the best anyway.


Him Law
Upcoming Series: Tiger Cubs, The Hippocratic Crush

Following "Your Class or Mine", I started really liking Him and thought he had a lot of potential. Unfortunately, the story of him hitting girlfriend Theresa Fu was exposed permanently damaged my impression of him. His personal life aside, I'm not too fond of his recent "muscle man" image and much prefer him when he exerts more cute and boyish charm. I guess that contradicts his real life personality too much?

While his real life personality seems a little worrying, his acting career seems to be improving. He is second male lead in "The Hippocratic Crush", and his character actually seems interesting. Seeing him in a professional role will be new. The press has also been blowing Him and Tavia's real life friendship out of proportion, so it will be interesting to see how they will play out onscreen. I still like him as solely an actor and still believe he has potential.  However, Him is the only actor here who I don't also like in real life.

These six are the ones I think are most likely to reach a breakthrough in their career this year. Overall, I think Mandy is most likely to reach new career heights, and I couldn't be happier. I will be keeping a close eye on these six! Let's hope for the best for this talented bunch!